Set in 1980s London, this comedy series follows the Easmon family, which has settled in England after having arrived from Sierra Leone a decade earlier. The Easmons’ son, Akuna, hangs out in the housing project where the family lives, playing soccer and dodging the local thugs. The family’s life is turned upside down when Walter’s brother Valentine arrives in the U.K., bringing chaos in his wake and igniting a passion for music in Akuna.

When two oddball strangers leave their lives behind to chase their Hollywood dreams, they discover that what they lack in talent, they make up for with determination and a shared delusion, leading to an unexpected friendship that will make them question the realities of chasing a dream.

John O'Hurley encounters three employees in drastic need of customer service makeovers: the greeting-less grocer, the touchy teller, and the witless salesman. In a series of good/bad vignettes, O'Hurley teaches each employee how to perform great service, show their customers the love, and want to return for an encore!

In the spring of 2020, when the Coronavirus pandemic paralyzed all of Sweden, employees at a nursing home are forced to experience how the infection finds its way in, and the situation becomes increasingly desperate. Care assistant Hanne finds herself in a difficult dilemma.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

An Irish lad who fled from his oppressive, widowed father falls for a girl from an affluent family.

Alfredo Méndez, 40, keeps his wife's cryogenically preserved corpse in his country house. This unusual behavior stems from his love for her and his medical ambition. However, in recent years his health has been declining, forcing him to seek the care of Corona, a young nurse who also serves as a maid.

Since mom and dad have made a temporary move from the frigid winters of Grand Rapids to sunny Arizona to protect dad's health, you'd think it'd be pretty sweet at home for 15-year-old Brooke Franklin. Well, think again. Brooke's brothers, Kurt and Chris and her sister Sally are in charge. Though there is the usual bickering about household responsibilities and personal lifestyles, Brooke's siblings share more than a common gene pool; they also share a real concern about Brooke's well-being and the intention to raise their youngest sister correctly. Unfortunately, they just can't agree how to do it.

Since mom and dad have made a temporary move from the frigid winters of Grand Rapids to sunny Arizona to protect dad's health, you'd think it'd be pretty sweet at home for 15-year-old Brooke Franklin. Well, think again. Brooke's brothers, Kurt and Chris and her sister Sally are in charge. Though there is the usual bickering about household responsibilities and personal lifestyles, Brooke's siblings share more than a common gene pool; they also share a real concern about Brooke's well-being and the intention to raise their youngest sister correctly. Unfortunately, they just can't agree how to do it.

美丽的田园山村，青梅竹马的一对好朋友每天快乐地玩耍，长大后两人更加亲密，最终结为夫妇，并有了自己的爱情结晶。孩子在父母的呵护下快乐成长，一家人其乐融融。转眼间小男孩到了入学年龄，他欢欢喜喜进入学校。 　　但是学校并非清静场所，小男孩很快被坏孩子引诱沉溺于毒品，上了瘾的他将积蓄用来购买毒品，自顾自投身幻想之中。转眼男孩长大，同龄朋友各有建树，而他一事无成。痛苦不堪的男孩决定戒除毒瘾，回归父母身边。然而毒品的诱惑力难以抗拒，他再次回到了堕落的生活之中……